Bob Dylan - Like A Rolling Stone (5.1 surround sound mix)

I made this 5.1 surround mix from 4 lossless multi-tracks. This and all the music on this channel are my own surround sound creations which I've mixed or remixed using either mastered or unmastered studio stems, or multi-tracks. I am not a professional audio engineer and since these are my unofficial mixes, they may sound very different from the official releases; whether this was my intention or not, my primary goal is to create enjoyable surround mixes. If you’d like to show your appreciation for my time and effort, I do have a KoFi page for donations here: https://ko-fi.com/methuselahsgrandpa If you like my mixes and want to submit a request to join my Telegram group, you can contact me here: t.me/JaredTheGood ....only a fraction of people who have requested to join my group have actually joined so make sure you respond to my direct message afterwards. Jared (Methuselah's Grandpa) ==================== YouTube 5.1 streaming, audio quality and known volume issues You can NOT stream 5.1 YouTube videos on a computer, mobile phone or tablet using a web browser. Even though Google Chrome, Firefox or other browsers may support 5.1, YouTube has chosen to restrict surround sound audio to the app only. Use the YouTube app on a TV, AppleTV, ROKU, Firestick, PlayStation, X-Box, Nvidia Shield, etc.. to stream surround sound. YouTube does not stream surround sound as high-quality audio. I upload my mixes here in the best quality that I can; as lossless 5.1 flac, 7.1 DTS Master Audio or Dolby TrueHD Atmos. Most of my mixes have lossless sources and so the only lossy conversion is the one that happens when YouTube streams it as 5.1 AAC or 5.1 EAC3 (Dolby Digital+) at 384 kb/s. To my ears, 384 kb/s is just not enough, I can hear lossy artifacts and the loss of fidelity. Low Volume When Streaming 5.1 Audio YouTube handles the loudness of 5.1 audio drastically different than it does compared to stereo. I have tried everything I could to my own mixes to adhere to the specs but it nothing ever worked. They reduce all 5.1 audio so much that you need to turn up the volume louder than you normally would for stereo content but BE CAREFUL with the ads, they can switch your AVR to stereo temporarily and it can be MUCH louder than the 5.1 music. Be ready to hit that mute button quick! Jared ( Methuselah's Grandpa ) No AI technology was used in the production of any audio, photo, or video on this channel ___ "Like a Rolling Stone" is a song by American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited. During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in 3 4 time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the Hammond B2 organ riff for which the track is known. Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when, a month later, a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, "Like a Rolling Stone" reached No. 2 in the US Billboard charts (No. 1 in Cashbox) and became a worldwide hit. Critics have described "Like a Rolling Stone" as revolutionary in its combination of musical elements, the youthful, cynical sound of Dylan's voice, and the directness of the question "How does it feel?". It completed the transformation of Dylan's image from folk singer to rock star, and is considered one of the most influential compositions in postwar popular music. Rolling Stone listed it at No. 1 on their 2004 and 2010 "500 Greatest Songs of All Time" lists. It has been covered by many artists, from the Jimi Hendrix Experience and the Rolling Stones to the Wailers and Green Day. At an auction in 2014, Dylan's handwritten lyrics to the song fetched $2 million, a world record for a popular music manuscript. The recording sessions were produced by Tom Wilson on June 15–16, 1965, in Studio A of Columbia Records, 799 Seventh Avenue, in New York City. In addition to Bloomfield, the musicians enlisted were Paul Griffin on piano, Joe Macho, Jr. on bass, Bobby Gregg on drums, and Bruce Langhorne on tambourine, all booked by Wilson. Gregg, Griffin, and Langhorne had previously worked with Dylan and Wilson on Bringing It All Back Home.