한국미술의 원더풀 리얼리티

Korean art is periphery in global scale However, there have been many artists doing their works thusfar The circumstances would be different for different artists, it is true that there have been self-evident, and transcend the periphery If Korean art is unique, it is because they are unique, otherwise Korean art is vital, because they are vital The Korean art born with them, lives with them, and dies with them It is what is said, 한국미술의 원더풀 리얼리티 The art critic as well as art theory Professor 강수미 is the author of this book She is famous for art coordinator and technical art writer, majoring aesthetics and fine arts with Ph D degree She has taken many scholarly award with her professional critique, naturally she is creative writer has been lived with Korean art critique, which is not only speculative, but it is also experience and creation What I have taken when first reception of her critique is that she writes respect for Korean art context and real objects of artwork, while some people doing critic program only cannot do for art critique She majored bachelor's degree and Master's degree for fine arts program, so she knows very well how real field of Korean art, and she employs the strength well exposed to the critique As the book's title, she approves contemporary Korean artworld as not periphery, but beautiful and wonderful reality If her critique is unique, it is because she is unique, otherwise her critique is vital, because she is vital She was born with them, lives with them, and dies with them This book is said, 한국미술비평의 원더풀 리얼리티 She writes very clever ways, not as analysis for analysis, her each writing contains respect and meaningful assistance for readers to feel the essence of various artworks in Korean art cultures The art is abstract term and its practice is very unknowable, but with her critique people are coming to know it flipping pages of the book The statement of each has definite meaning conveyed to readers, and whole pages, and whole books, it becomes complete knits of whole artwork that awaits response of readers She asks artists, artwork are not themselves same thing to artworld, art, it has not hegemony itself, the expansion of the meaning is because art is social, minder political creation, which is not parliament members, NGO's activities, but it is discrepancy of stricter, flexible, politically correct and creative endeavor social eye-opening for contemplators She asks for artists too, they need to be "system enroller" but "system creator", "doing artwork money because capitalist society member" but "the freedom of personal reception of beauty" can be transcended to be the freedom of community, their lives and driving forces to subliminal social system, this is what she wish for Korean art and artists This is not read from her writings as old-fashioned elderly art critic's perils, we can feel milder and salient sense of respect for artists, this is the most important implication in this book The other strength of this book is it opens reader's eye for unknowable artwork before, compared over other art critique, readability is best The introduced artwork is also unique, general public didn't know, so this book's strength covers academic pros as well as general readers It would be good deal of time to spend reading this book If you like to learn artworks and their meanings, read this book