Father and Son Reaction to First Time Listening To Pink Floyd! The Wall Part 2 Album Review!

Father and Son Reaction to First Time Listening To Pink Floyd! The Wall Part 2 Album Review!

Pink Floyd’s legendary album "The Wall" is up for review today, and we give our reactions to Pink Floyd’s classic in a track by track format! We go over the facts of the album and the second disc in today’s video. This is the first time we have listened to The Wall, and are looking forward to completing Pink Floyd’s discography in the future! COMMENT your favorite track below, and be sure to LIKE and SUBSCRIBE! We upload multiple times a week so make sure you subscribe so you don't miss out! Check out Part 1 here -    • Father and Son Reaction to First Time...   Check out our other PINK FLOYD REVIEWS:    • Pink Floyd   Support us on Patreon!:   / reactionstotheclassics   Join our Facebook Group!:   / 432430687517673   Quick Facts are on Part 1! Side Three - 1. 1. Hey You (Gilmour/Waters) –Gilmour's vocals, singing in 1st person, as "Pink" ("Can you feel me?"), After the solo, Waters sings the lead vocal for the rest of the song, in a narrative role, referring to "Pink" in the third person ("No matter how he tried") and then as Pink ("don't tell me there's no hope at all"). Pink realizes his mistake of shunning society and attempts to regain contact with the outside world. However, he cannot see or hear beyond the wall. 2. Is There Anybody Out There? (Waters/Gilmour) – 1st half a distress call from Pink. 2nd half is an instrumental classical guitar solo. Gilmour said he tried to perform it, and was not satisfied with the final result, so a session musician was brought in. At this point in the plot, the bitter and alienated Pink is attempting to reach anybody outside of his self-built wall. . 3. Nobody Home (Waters) - Pink describes his lonely life of isolation behind his self-created mental wall. He has no one to talk to, and all he has are his possessions. t. 4. Vera (Waters) – Title is reference to Vera Lynn, a British singer who came to prominence during World War II. 5. Bring The Boys Back Home (Waters) – 1:21, Waters sings the simple and direct lyric in his upper register, supported by a choir. The choir abruptly drops away, leaving Waters' voice alone, struggling to sustain the high note. 6. Comfortably Numb (Gilmour/Waters) – 6:21 longest on album, Written by Gilmour (music) and Waters (lyrics) were inspired by Waters' experience of being injected with tranquilizers for stomach cramps from hepatitis before a Pink Floyd show in Philadelphia on the 1977 Tour, #314 on Rolling Stone 500 Greatest Songs of All Time. Gilmour's solo was rated the 4th best guitar solo of all-time by Guitar World magazine, in a reader poll. Side Four - 1. The Show Must Go On (Gilmour) – 1:36, Written by Waters and sung by Gilmour. Only song from the album which Waters does not perform any kind of instrument and vocal. 2. In The Flesh (Waters) – fades out to the chanting of "Pink! Floyd! Pink! Floyd!", marks the 1st of a series of songs in which Pink, in a drug-induced hallucination, believes himself to be a fascist dictator, crowing over his faithful audience; this song is his hallucination that his concerts can be likened to a political rally. 3. Run Like Hell (Waters/Gilmour) - Written by Waters (lyrics) and Gilmour (music), released as single only reached #53 in the U.S. Lyrics are explicitly threatening, directed at the listener. Although the lyric "You better run like hell" appears twice in the liner notes, the title is never actually sung; each verse concludes with "You better run". 4. Waiting For The Worms (Waters/Gilmour) – Pink has lost hope and his thinking has decayed, bringing to mind the "worms". 5. Stop (Waters) – 30 seconds, Pink is tired of his life as a fascist dictator and the hallucination ends. Also tired of 'The Wall', he accordingly devolves into his own mind and puts himself on trial. 6. The Trial (Waters) – Pink has reached a critical psychological break. "The Trial" is the fulcrum on which Pink's mental state balances. Pink is charged with "showing feelings of an almost human nature." . Pink's subconscious struggle for sanity is overseen by a new character, "The Judge." As Waters sings the dialogue for each character he transitions into different accents. This and the following song, "Outside the Wall," are the only two songs on the album which the story is seen from an outsider's perspective. 7. Outside The Wall (Waters) – Favorite Tracks: Mother, Comfortably Numb, Another Brick In The Wall (Part 2), The Thin Ice Overall Score: 9.0/10 (Trey and Shawn) #PinkFloyd #PinkFloydReaction #ReactionsToTheClassics #TheWall Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. All music used in this video belong to the original creators, and is intended for educational use only.